Everything Sad is Untrue (A True Story)

Daniel Nayeri’s Printz-winning novel is beautifully crafted, and we’ll discuss its many merits, but can we take a minute to talk about the cover by artist David Curtis and designed by Elizabeth Parisi and Semadar Megged? In addition to being gorgeous, it offers hints into the stories swirling together inside. So consider this an example of when it is perfectly acceptable to judge a book by its cover – both are fantastic.

Now on to the novel itself. Based on real events, Nayeri tells about his past through the eyes of his thirteen-year-old self. We learn about his family’s wealth and privileged life in Iran. We experience the anguish of a family split apart after his mother becomes a Christian and flees Iran with the kids. We marvel at his mother’s fortitude in facing great challenges as a single mother refugee. And we can’t help but feel great empathy for Daniel as he navigates childhood without having a firm sense of where he belongs.

Here are three reasons to love this book:

  • I didn’t find out until after I had read Everything Sad Is Untrue (A True Story) that it is the first title published by the new imprint Levine Querido, run by none other than Arthur A. Levine, editor of Harry Potter fame. Due to Levine’s success record, you have to know he had an abundance of material to choose from. The fact that he chose Nayeri’s is quite the endorsement.
  • The swirling story structure won’t be as familiar with American readers, but it’s a beautiful way to tell a story. Cultural stories layered with Nayeri’s life experiences create a rich literary experience that is still accessible to a younger audience.
  • Nayeri’s real-life story is filled with many painful past experiences, but the book manages to maintain a hopeful outlook on life. Although it doesn’t try to thump the reader over the head with a story of perseverance and grit, I imagine many readers will chastise themselves after they realize how much they complain about circumstances that aren’t as big of a deal as they think.

I highly recommend this book for readers thirteen and up (including adults!). Everything Sad Is Untrue (A True Story) would make a great selection for thoughtful readers looking to broaden their cultural awareness.

Long Way Down

My first reaction after reading Jason Reynolds’ Long Way Down was not favorable. I picked up the book soon after it received Newbery, Printz, and Coretta Scott King honors, and I was not prepared for such a raw story. I nearly discounted the book altogether because it differed so much from my misconceived notions of what I thought it would be.

And yet…

I still think of this book. It has stayed with me more than many others I have read. While there are lots reasons to read a book, I think it is easy to discount books that make us uncomfortable, and this book makes me uncomfortable. Having said that, I think it is also one of the best books I have ever read.

Here are three things I like about this book:

  • Jason Reynolds’ style. This was my first Reynolds’ read. His words cut to the heart of the matter in a beautiful and deceivingly simple way. My favorite poem was the short “And You Know”: “it’s weird to know/ a person you don’t know/ and at the same time/ not know/ a person you know,/ you know?”
  • The structure. In general, I love the novel-in-verse format, but Long Way Down has the added structure of descending the floors in an apartment building. The protagonist takes an elevator from his floor to the main level, and at each floor, a new person enters the elevator. Except the added person is really a ghost of someone who has been killed from an act of violence, and our protagonist is riding the elevator while he contemplates seeking revenge against his brother’s murderer. Incredible structure creates palpable tension.
  • The honesty. As I have alluded to, this is not a fluffy read, and I appreciate that Reynolds does not diminish the protagonist’s internal struggle.

Long Way Down is best for high schoolers. It could be a good choice for a reading group that is willing to have difficult but honest conversations.

The Remarkable Journey of Coyote Sunrise

Confession: I read The Remarkable Journey of Coyote Sunrise by Dan Gemeinhart in May of 2019. I loved this book so much that I couldn’t think of how I could adequately do it justice in a blog post. To the point that I went through a freeze in writing any blog posts at all.

I still feel this way. So rather than share a synopsis, I want you to know this book has all the feels and moved me in a way no other novel has. Readers will find hope, despair, adventure, intense friendship, humor, community, and even a goat on a bus. Most of all, they will find love. Love for those we have lost and love for those we have now.

I cannot recommend this book highly enough. If it were up to me, I would cover it with every award sticker for which it is eligible. This middle grade novel is probably best for ages ten and up, and I do mean “and up” – this one is for readers of all ages.

Hey, Kiddo

Hey, Kiddo by Jarrett J. Krosoczka is both easy and hard to read. Easy because Mr. Krosoczka’s writing and art propel the story forward in a seemingly effortless way. Hard because the content forces the reader to confront the difficult reality that many children grow up in less than ideal circumstances.

The story is autobiographical. Krosoczka’s mother was a heroin addict, and at a young age, Jarrett is taken from her custody to live with her parents. While his grandparents love him, they are somewhat gruff and jaded, so it isn’t the most cozy environment for a young child – especially one that has already experienced a fair amount of trauma. Coupled with the fact the his mother is in and out of rehab centers and prisons, it’s easy to understand how young Jarrett experiences nightmares and anxiety. What’s most amazing is how Jarrett rises above it all to become a talented artist and family man.

Both inspiring and sobering, Hey, Kiddo is a graphic novel that is best for ages 14 and up. It contains mature content of drug use, suggestions of Jarrett’s mother’s sexual encounters, themes of abandonment, and disturbing images pertaining to Jarrett’s nightmares. The book may be helpful and appropriate to readers younger than 14 if they are experiencing similar life circumstances themselves, but otherwise, I would say it’s best for teens and adults.

Darius the Great Is Not Okay

The title alone enticed me to read Darius the Great Is Not Okay by Adib Khorram, and I’m so glad I did. I was happy to get my hands on my library’s copy before the post-award rush, as Darius won the Morris Award and the Asian/Pacific American Award for Young Adult Literature.

Darius is a teenager growing up in Portland, Oregon. Son of a Caucasian American father and an Iranian-American mother, Darius feels like he never fits in anywhere. Too Persian to be perceived by others as all American, but too American to be considered truly Persian, Darius struggles to find his place. As if this wasn’t enough, he’s also been medically diagnosed with depression, just like his father, and Darius battles to keep his mood swings in check.

When Darius’s maternal grandfather’s health declines due to his progressing dementia, Darius’s family visits his mother’s family in Iran. Darius has only seen his extended family in video calls – he and his little sister have never met their Iranian grandparents, aunts, uncles, and cousins. In Iran, Darius feels even more out of place than he did in Portland. He cannot speak the language (though his little sister can), he doesn’t practice the same religion as his relatives, and just like any other traveler, he isn’t always sure about cultural practices.

All this changes when Darius makes a friend. Sohrab is Darius’s first true friend, and Sohrab helps Darius gain confidence in himself. As they spend time together playing soccer, eating Iranian food, and touring local attractions, Darius learns more about his Persian heritage while also discovering the joys and trials of friendship.

There’s much to like about this book. I appreciate how Khorram integrated mental health issues into the narrative without making them the front-and-center focus of the plot. I found the relationships between Darius and other characters to be developed and complex. I also loved the setting for this story, as I didn’t have much previous experience or knowledge of Iranian culture.

Darius the Great Is Not Okay is not just okay, but is in fact, great. I highly recommend this book for readers 14 and up, though I do think readers as young as 12 might enjoy it as well.

The Unwanted: Stories of the Syrian Refugees

The Unwanted: Stories of the Syrian Refugees by Don Brown is an excellent book for teens who want to know more about the refugee plight. Brown uses the graphic novel format to provide historical context and address current issues involving Syria and its people.

The book opens with a brief history of how the political situation escalated in Syria, which led to the outpouring of refugees. After setting the scene, Brown then follows various refugees trying to escape the war-torn country. We follow them on foot to Lebanon, Jordan, Turkey, and we follow them on sea, across the Mediterranean into Greece and other European nations. We see the whole spectrum of young and old, male and female.

Brown does justice to his subjects by not avoiding difficult material. We’re faced with cold facts: some will not survive. They will die from starvation, exposure, and drowning. Although a graphic novel, Unwanted is not explicitly graphic, though scary scenes certainly are depicted in the illustrations. Due to this difficult content, I recommend The Unwanted for ages twelve and up. I believe it would be a compelling read to build empathy and compassion for those enduring this nightmare.

Be Prepared

Yet another graphic novel nails the precarious nature of growing up. In Be Prepared, Vera Brosgol carefully balances pre-teen angst with childlike naivete as her nine-year-old main character (also named Vera) navigates summer camp among older girls.

Vera has a hard time fitting in with her more affluent friends at school. Jealous of the girls who spend their summers at camp, Vera convinces her mom to let her go to a Russian Orthodox camp that they will be able to afford with financial help from their church.

As she soon discovers, summer camp isn’t the carefree vacation Vera thought it would be. There’s no running water, which means she brushes her teeth in the river, bathes in the lake, and uses an outhouse for a bathroom. There are lots of camp rules that are hard for a first-timer, like getting her uniform just so and remembering to speak in Russian all the time. But worst of all, her tent-mates are best friends and repeat campers who are much older than Vera, and at fifteen years old, they want nothing to do with Vera.

Away from home and on her own, Vera must confront her challenges. She does make friends while becoming more comfortable in the great outdoors, and most importantly, she learns how to stand up for herself.

Be Prepared is a wonderful coming-of-age middle grade graphic novel that will appeal to fans of Real Friends by Shannon Hale and Roller Girl and All’s Faire In Middle School by Victoria Jamieson. While none of the content is overly graphic, I do think Be Prepared is more mature in content than the other graphic novels mentioned, and would recommend this for ages 10 and up, maybe 12 and up, depending on the emotional maturity of the reader. There is some content to be aware of: the older girls talk of menstruation, one of the girls has soiled underwear after her period, and there is some teenage kissing. If the reader has not encountered these life experiences, then perhaps hold off reading until older.

Little Women – The Penderwicks

Four sisters. A neighbor boy who becomes one of the family. Adventures and mishaps that strengthen sibling bonds. Which literary classic do these statements describe?

Just as an older generation might answer with Louisa May Alcott’s Little Women, tweens would say this describes Jeanne Birdsall’s The Penderwicks, and both would be correct! Both classics explore coming of age within the context of a close-knit family. Readers have the impression that the March family and Penderwick family are drawn closer to each other through the adversity that results from a missing parent. (In Little Women, Mr. March is fighting in the Civil War. In The Penderwicks, the girls’ mother has died of cancer.)

The Penderwicks centers around a three-week summer vacation in which the Penderwick family rents a cottage on the grounds of the fine estate Arundel. They meet young Jeffrey, who lives at Arundel with his wealthy mother, Mrs. Tifton. Jeffrey has led a rather sheltered life, and he relishes the excitement the four Penderwick girls bring. Birdsall writes of the summer’s adventures, adeptly weaving between the sisters and their contrasting personalities.

Although published in 2005, The Penderwicks has an old-world feel to it, likely due to the episodic story structure, as one would find in Anne of Green Gables. While focused on characters more than plot, there are certainly moments of tension and hilarity that encourage readers to turn the page.

The Penderwicks will appeal to a slightly younger audience than that of Little Women. While there is nothing objectionable for younger readers by way of content, I would recommend The Penderwicks for ages 10 and older, and Little Women for ages 12 and older.

Are You There God? It’s Me, Margaret. – Roller Girl

Growing up can be hard. Everything changes: body, relationships, emotions, and responsibilities are in transition, and it’s difficult to know what to expect next. Authors Judy Blume and Victoria Jamieson both write about this phase of life with respectful honesty.

Are You There God? It’s Me, Margaret. by Judy Blume has long been considered a classic female coming-of-age novel. Unafraid to tackle religion, boys, and the mysterious first menstrual cycle, Blume dared to explore topics that were considered taboo in books for kids and teenagers. Although written in 1970, the modern ‘tween will still find this book relatable.

Similarly, Victoria Jamieson’s Roller Girl tells the story of twelve-year-old Astrid’s steps towards maturity and independence. She used to do everything with her best friend, Nicole, but as the girls are growing up, Astrid is discovering that she doesn’t have as much in common with Nicole anymore. When Astrid decides to pursue Roller Derby Camp without Nicole, she learns that it is okay to be unique and pursue our own passions.

Roller Girl is the first graphic novel I ever read. I was so pleasantly surprised by the truth and profound material that it completely corrected the unfair stigma I had placed on this genre. Victoria Jamieson is a master of dialogue–both spoken and unspoken. The female relationships presented in this book (mother-daughter, friend-friend) are among the best I have read in any book for any age.

I would recommend Are You There God? It’s Me, Margaret. and Roller Girl for ages 10-14. I find the content of Are You There God? It’s Me, Margaret. to be slightly more mature and philosophical, so emotionally immature readers may benefit by waiting until they are a bit older.

The Crossover

When I first read Kwame Alexander’s The Crossover, all I could think was this sizzles. I had never encountered writing such as this. It is so full of energy and practically leaps off the page.

Josh is a basketball standout. He is rivaled only by his twin brother Jordan. Josh and Jordan have to learn to live with each other, both on and off the court. Josh has to deal with consequences for some bad decisions, but the value of family becomes most important as the book pushes to the final climax.

The Crossover earned Alexander a Newbery Medal. I highly recommend it for ages 12-14. The novel-in-verse format, with its open white spaces and lower word count will appeal especially to reluctant readers, while its literary merit makes it a solid book choice for any reader. The content will appeal to athletes, and I believe young men will be particularly interested in the story.