The Dress and The Girl

Talk about a picture book with an old soul. The Dress and The Girl, written by Camille Andros and illustrated by Julie Morstad, has a nostalgia about it, but in a way that is fresh and beautiful.

It’s the story of “an ordinary girl wearing an ordinary dress,” and their everyday comings and goings. One day, the time comes for the girl and the dress to leave home and set out for new adventures in a new land. Sadly, they are separated when the trunk holding the dress is not reunited with its owners after the long journey. The dress and trunk travel the world, unable to find the girl, until one day a woman pauses to look at a dress hanging in the window of a used clothing store.

Andros’s lyrical text rolls off the tongue, making this a beautiful book to read aloud. Morstad’s illustrations are understated but vibrant, which seems to bring the past into the present. With inviting cover and printed on thick, smooth paper, The Dress and The Girl is all around a beautiful book.

I recommend this book for ages 4 and up (though it certainly could be read to younger children as well). It could make a nice Mother’s Day gift or baby girl shower gift as well.

The Book With No Pictures

This book makes kids laugh. Hysterically. Or maybe that’s just mine. Over the last week, the best part of my day has been reading this book to my kids before bedtime. I think multiple readings have only increased the giggles, since my kids laugh in anticipation of what they know is coming next. For me, this makes The Book With No Pictures by B. J. Novak a worthy addition to our home library.

I love how this book promotes the importance of words in the most jubilant, undidactic way. It’s a great read aloud for children of all ages, for the littlest will giggle uncontrollably and even teens will be hard pressed not to smile. TIP: An exuberant performance is sure to bring the most laughs, which makes it most fun for the reader!

Locomotive

Locomotive by Brian Floca is one of my family’s favorite non-fiction picture books. Dense with information, but told in a narrative style, it’s perfect both for a school reading and a bedtime read-aloud. The text is long (for a picture book), but my train-loving son requested we read this book over and over to him when he was just three.

The artwork is amazing, so it’s no surprise that Floca won the Caldecott Medal for this book. Made with ink, watercolor, acrylic, and gouache, the illustrations capture an old-world feel, while still coming across as fresh and contemporary. Details abound. From the expansive western scenery, to the jaw-dropping Dale Creek Bridge, to the careful replications of the locomotive itself, one could easily spend time poring over these pages without reading any of the text. And don’t overlook the endpapers! They are full of facts and diagrams, adding more hard-core nonfiction material to the book.

Locomotive is perfect for train enthusiasts and would be an excellent addition to any U.S. History study. Mr. Floca provides extra materials on his website to supplement the book, including a coloring page of the locomotive (a favorite in our house!) and teacher’s guide. I heartily recommend this book for all ages, particularly 4-12 years old.

Knuffle Bunny

I admit it. The first time I read Knuffle Bunny: A Cautionary Tale by Mo Willems, I thought the book had received too my hype. Fun? Sure. But a modern children’s classic? I wasn’t convinced.

Fast forward a few years. I decided to re-visit Knuffle Bunny, and I also read Knuffle Bunny Too: A Case of Mistaken Identity and Knuffle Bunny Free: An Unexpected Diversion . Maybe I needed the full trilogy experience. Maybe it was the way my son asked me to read all the books again and again. Maybe it was the way the final Note to Trixie gave me all the feels. This time there was no doubt in my mind: the Knuffle Bunny books are indeed modern classics.

The first, Knuffle Bunny: A Cautionary Tale, introduces us to Trixie, her parents, and of course, her beloved Knuffle Bunny. Trixie’s toddler antics ensue when she accidentally leaves Knuffle Bunny in the laundromat, but lacks the verbal skills to tell her parents. The second, Knuffle Bunny Too: A Case of Mistaken Identity, introduces us to Trixie’s classmate and fellow toy bunny lover, Sonja. Trixie and Sonja fight over who has the best bunny, but after an inadvertent switch leaves each with the wrong bunny, they have to come together in order to be reunited with their own Knuffle Bunnies. The third and final installment, Knuffle Bunny Free: An Unexpected Diversion, takes Trixie, her parents, and Knuffle Bunny on a trip to Holland. Trixie is excited to see her grandparents, but devastated when she realizes she left Knuffle Bunny on the airplane.

The Knuffle Bunny books are funny yet poignant. I intend to gift them to newly expecting parents, as I think they belong in that special class of children’s books that are equally meaningful to parents as they are entertaining to kids. I enthusiastically recommend these books for kids ages 3-6, though don’t be surprised if the older kids still laugh and the adults fight back nostalgic tears.

The Eye That Never Sleeps

I’m a big fan of narrative nonfiction. For picture books, I particularly like historical nonfiction that highlights lesser known stories from the past. The Eye That Never Sleeps: How Detective Pinkerton Saved President Lincoln by Marissa Moss, illustrated by Jeremy Holmes tells the story of the assassination attempt on Lincoln before he was inaugurated as president in 1861. I think this story is particularly effective because it takes a well-known figure (Lincoln) and tells how a lesser known figure (Pinkerton) was important in shaping the course of history through behind-the-scenes action. Lincoln serves as the entry point for the story, drawing readers in and giving them context, but Pinkerton is the true agent of change in this book.

The book begins with a little back story on Pinkerton: how he came to the United States from Scotland with his wife, how he grew a successful barreling business, and how he eventually became involved in detective work. The story then moves quickly ahead to Pinkerton’s protection of Lincoln in the days before Lincoln’s presidential inauguration. Both text and illustrations do an excellent job of showing the tension between the northern and southern states so that readers feel Lincoln’s peril at every turn.

Holmes’ illustrations are detailed and precise, in red, orange, brown, and purple palettes. Multiple fonts are used throughout, from newspaper headlines to speech and thought bubbles, and this variation brings extra life into the illustrations. Holmes has an Artist’s Note at the end that describes how he created his work in digital scratchboard style, and this is a worthwhile read for those who are curious in artistic methods.

Even the formatting of this book is worth a mention. The pages are thick, and the book is in landscape orientation, which add to the richness of the illustrations. It’s longer than traditional picture books, coming in at 48 pages instead of the default 32, but even so, each page is utilized to the max. There are five pages of back-matter, including a timeline of Pinkerton’s life, Artist’s and Author’s Notes, bibliography, and index.

I recommend this book for ages eight and up, which differs from the publisher’s recommendation of ages 6-9. I do think that readers ages 6-7 could enjoy it as well, but due to the high word count and extra length, I think it more suitable for older elementary aged kids. The interesting story and amazing illustrations may very well tempt tweens and teens into reading it as well.

Rivers: A Visual History from River to Sea

“Geography” and “amazing” may not be two words commonly used in the same sentence when talking about books for young people, so let’s change that. River: A Visual History from River to Sea by Peter Goes is indeed an amazing book of geography for young readers. And old readers. Everything about this book, from the oversize pages and format to the detailed illustrations surrounded by interesting facts, says, “Read me! … Read me again!”

As one would deduce from the title, Goes uses the rivers of the world to relate geographical, historical, cultural and even biological information. Rivers are grouped together by continent, and then each major river has its own two-page spread. Each spread has a solid color background with Goes intricate black-and-white illustrations on top. Readers are given a wealth of information that all pertains to the river. For instance, on the spread for the Thames, we learn the river once was also called Isis, the Thames tunnel was built between 1825 and 1843, the kingfisher likes to live near running water, and the Thames Barrier protects London from high tides. And that’s just a small sample of interesting tidbits.

Rivers has a way of making non-fiction readily accessible to a younger audience, but it is so engaging and sophisticated that it in no way seems juvenile. I suspect teens would pore over these pages. I highly recommend this book for all ages, though I suspect ages eight and up will enjoy it most. Goes also authored the book Timeline, which I’ve not yet had the pleasure to read, but can’t wait to get my hands on if it’s as good as Rivers.

Drawn From Nature

Drawn From Nature by Helen Ahpornsiri is an exquisite picture book that will delight nature lovers, young and old. Ahpornsiri expertly uses real leaves, flowers, and other plant-derived items in collages that then create illustrations of animals and landscape. The intricate work demands a second look. And a third. And a fourth. And, well, you get the idea.

The stunning artwork alone makes this book superb, but the accompanying non-fiction text is also engaging and informative. We start by looking at the natural world during the spring season, and then follow the natural trajectory through the seasons all the way through winter. A glossary at the end is helpful for defining the more scientific terms that appear in the text, such as fungus, nocturnal, and photosynthesis. Curious artists will also appreciate Ahpornsiri’s note in the back that gives a little more information on how the art was created.

I highly recommend Drawn From Nature for all ages, but I think it would be best for ages eight and older. Although a picture book, it is in no way too juvenile for teens and adults. In particular, I suspect artistic and/or nature-loving teens will love this book and spend hours poring over its content.

Teach Your Giraffe to Ski

Great Spotties! Is that a GIRAFFE on the ski slopes?

The premise of a giraffe learning to ski is funny, for adults and kids. In Teach Your Giraffe to Ski (written by Viviane Elbee, illustrated by Danni Gowdy), a boy is trying to teach his giraffe the proper way to ski. But Giraffe doesn’t want anything to do with the bunny hill – he’s ready for the big, scary slopes! The boy will have to muster his courage if he’s going to catch and save his giraffe.

Teach Your Giraffe to Ski is certainly a fun choice for skiers and giraffe-lovers, but the underlying theme of overcoming fear make it a good read for a broader audience as well. Enjoy this book during the winter months, snuggled with your kids, while laughing at the antics of fearless (and often clueless) Giraffe as he learns to ski.

Blue

Stunning paintings, brilliantly placed cutouts, and the perfect thirty-two words make  Laura Vaccaro Seeger’s Blue one of my favorite pictures books of all time. Following in the style of her picture book Green, which won a Caldecott Honor, Seeger takes it one step further by adding an underlying plot of great emotional depth. I marvel at her ability to tell the life story of a boy and his dog over seventeen spreads, with minimal text. The result is profound and poignant.

I highly recommend this picture book for children and adults of all ages. Blue is a particularly good choice for anyone mourning the death of a pet. Younger children will appreciate the cleverness of the illustrations and cutouts, and at the very least, will learn to recognize various shades of blue. Older children will likely grasp the subtle plot and deeper feelings permeating through the book. I also recommend Green by the same author, though it is more about the colors and illustrations and does not have the same weight of the newer Blue.

The Bear and the Piano

For a picture book with an old soul that also feels fresh, look no further than David Litchfield’s The Bear and the Piano. At its core, this is a timeless story of friendship and belonging that dares to ask if one can return after leaving.

The story itself is a bit magical. A bear cub stumbles upon a piano in the middle of the woods. Captivated, he returns day after day, year after year, mastering the instrument. The other bears in the woods gather to hear him play, until one night a human family offers to take him to the big city so he can play concerts there. Though he loves his home and his friends, he also longs for adventure, and sets out for the city, where he soon achieves great success.

Though he enjoys his time in the city, he misses his home and decides to return to tell his friends all about his adventures. When he arrives in the familiar clearing in the woods, the piano is missing. The bear is certain everyone has forgotten him. That is, until he follows a fellow bear deeper into the woods to a startling discovery.

The illustrations in The Bear and the Piano are gorgeous. Using a mix of techniques, Litchfield creates expansive scenes that are both spacious and focused. The color palette is varied and lively, yet restrained, lending to the classic storybook feel.

The Bear and the Piano is a beautiful book for ages four and up. Younger children will enjoy following the bear’s adventures in the city. Older children and adults will value the story’s deeper meaning when the bear returns to the woods. All readers will appreciate the lyrical language and detailed illustrations.