The Princess Diaries

On the hunt for a light-hearted young adult novel (I wondered… do they even exist???), I came across The Princess Diaries by Meg Cabot. I enjoyed the movie starring Anne Hathaway and Julie Andrews. I vaguely recalled that it had been based on a book, but I did not realize it was a YA book. On my next library trek, I picked up a copy, hoping for a breezy read. I wasn’t disappointed.

Main character Mia Thermopolis is an awkward high school freshman who learns that she is Princess of Genovia, a fictional European principality. She already has difficulty navigating school (algebra!), but now she has to take princess lessons from her grandmother, learn to live with the paparazzi, and deal with the fact that her mother is dating her algebra teacher. And that’s not to mention she is now trailed by a bodyguard all day long.

The Princess Diaries is the young adult counterpart to the adult Bridget Jones’s Diary by Helen Fielding. Meg Cabot is delightfully funny. She mixes everyday occurrences with just enough of the ridiculous and over-the-top characters to create laugh-out-loud scenes. The diary format enables punchy one-liners and speeds the pacing. Cabot’s capture of a sarcastic but charming teenager is spot on.

A word of caution for those who are familiar with the movie: the book is SO very different. (Part of the entertainment for me was in identifying ways in which the movie deviated from the book.) The most glaring difference is in Mia’s grandmother Clarisse. The book character is completely opposite from Julie Andrews’s character in the movie. I suppose this may bother some, but to be honest, I often found book Clarisse’s blunt and rude comments hilarious.

I truly enjoyed both the movie and book, but I give the edge to the book. Even so, I do not believe the book is appropriate for young readers. The publishers suggest ages 12 and older but I would suggest 14 and older due to mature themes. The first book was innocent enough, but if a reader enjoyed the first book, then of course she would want to read the sequels. There are 10 young adult novels in the series, a handful of novellas covering short events that happen between some of the novels, and even a recently released adult book in which Mia gets married. There is more discussion of sex as the novels progress, because Mia is getting older. Nothing is overly explicit, but friends do talk about it. I find this to be true to the issues today’s teenager faces, so my personal stance is to not disregard it, but I would prefer my own daughter not read these books until she is in high school for this reason. Of course, each family will have to make its own decision regarding what is appropriate. Watch the movie with a younger audience if you would like, and then introduce the book to a high school girl looking for a quick and fun read.

The Sun is Also a Star

Natasha is a 17-year-old illegal immigrant from Jamaica who is going to be deported with the rest of her family at 10:00 p.m. Refusing to give up the hope of staying in America, Natasha spends her last day in New York City pursuing every last-ditch effort that will keep her family in the country.

Daniel is a Korean American high school senior who isn’t excited about the future his parents have planned for him. Instead of attending Yale and pursuing a career in medicine, Daniel would rather be a poet. After meeting Natasha, he falls head over heels in love with her, and his world is forever changed.

Exploring ideas of randomness, fate, and love, The Sun is Also a Star covers one intense day in the lives of practical, scientific Natasha and optimistic, passionate Daniel.  The story is written in alternating points of view (Natasha’s and Daniel’s), with occasional accounts from an omniscient narrator that provide backstory for minor characters. The result is effective and demonstrates how we are connected to one another.

The Sun is Also a Star is beautifully written and earned a National Book Award Honor for author Nicola Yoon. It would be a wonderful book to study in any contemporary literature or creative writing course. I recommend it for ages 14 and older, due to some mature themes and explicit language, though I believe it will especially resonate with young people ages 16 and older.